How effective is the combination of your main product and ancillary task?
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My second ancillary task of creating a magazine review has a purpose of being read by viewers, or those of interest in films, to gain insight from reading a review or rating on a new release forming expectations and ideas. Different magazines provide an array of film reviews, such as Independent magazines like the BFI's Sight and Sound magazine; a variety of films such as foreign or art house style films will often be reviewed. They will differ from other magazines that review mainstream movies such as Empire Magazine; a large organisation that reviews films, very few are independent releases and is expected to be read by a large audience. I felt that my surreal, independent release would require a positive and honest review in order to create a larger profile to be recognised; due to the lack of surrealist features and intrigue caused by art house, indie films. Being a silent feature solely relying on visual concepts and a surreal sound-scape consisting of heartbeats, insect sounds and clock ticks - I used editing and varied pace to create a very surreal moving image to create tension for the viewer. I yet again used Adobe Photoshop for the development of my magazine review; using the conventions of a simple layout such as that of the Sight and Sound magazine, using a still image of the film to imply the storyline. The image I used from my media product was very relevant in my ancillary task, using a still of 'Unknown Male' in his dream state, glancing at a wrist watch with the symbolic, clear empty crystal glasses also in the image. They emphasise the concern and awareness of time as a concept, and the empty glass as mention in the planning stages suggests the past, an event that has already occurred. I used neat columns and highlighted the important details of the film at the top of the review, such as the director, title and casts using bold, capital letters and large fonts. This simple layout of the magazine review allows the reader to gain honest knowledge of the film and what originally inspired me as a director; such as Salvador Dali's influence as a central focus.
I find that the creation of my ancillary tasks enabled me to successfully promote my film using relevant products that depict the film genre; creating simple poster and magazine layouts to create intrigue and imply the art-house, independent feel of my Surrealist feature. Audience and viewers may not all be familiar with the bizarre concepts of Surrealism therefore it is relevant to create distributive ancillary tasks to aid in the exhibiting of my feature, such as through the creation of poster and magazine review. My media product and tasks reflect each other well in terms of depicting genre and conventions, through the simple layout of the poster to cause intrigue; it uses those conventions of real life Independent film posters that I studied such as 'The Machinist'. A film poster of mainstream romantic comedy's would focus on the portrayal of main casts and characters opposed to symbolic prop use. I am therefore overall pleased with the combination of the products in how they represent the plot of the feature, such as through the use of the still shots portraying the most important shot of my character's frustration regarding time in a dream state.
I find that the creation of my ancillary tasks enabled me to successfully promote my film using relevant products that depict the film genre; creating simple poster and magazine layouts to create intrigue and imply the art-house, independent feel of my Surrealist feature. Audience and viewers may not all be familiar with the bizarre concepts of Surrealism therefore it is relevant to create distributive ancillary tasks to aid in the exhibiting of my feature, such as through the creation of poster and magazine review. My media product and tasks reflect each other well in terms of depicting genre and conventions, through the simple layout of the poster to cause intrigue; it uses those conventions of real life Independent film posters that I studied such as 'The Machinist'. A film poster of mainstream romantic comedy's would focus on the portrayal of main casts and characters opposed to symbolic prop use. I am therefore overall pleased with the combination of the products in how they represent the plot of the feature, such as through the use of the still shots portraying the most important shot of my character's frustration regarding time in a dream state.
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