After Effects was a suggested option in which I could attempt to distort the clocks used in the opening scene of the film; I have used footage with acryclic paint and clock faces (out of focus) in the background of a variety of closeup shots. The 'Liquify' tool enabled me to distort the clock faces; sub-categorized tools include 'Warp', 'Bloat' and 'Twirl'. These effects suggest the irrelevance of time prior to the dream sequence - my film contains two different locations, therefore a stress in the contrasting environments. Further work on After Effects would enable me to animate a sequence in terms of it's shape transformation using the timing tools to adapt the shapes, on a time scale.
 |
| 'The Persistence of Memory' painting by Salvador Dali |
 |
| 'Liquify' effects on the clocks |
After Effects was a suggested option in which I could attempt to distort the clocks used in the opening scene of the film; I have used footage with acryclic paint and clock faces (out of focus) in the background of a variety of closeup shots. The 'Liquify' tool enabled me to distort the clock faces; sub-categorized tools include 'Warp', 'Bloat' and 'Twirl'. These effects suggest the irrelevance of time prior to the dream sequence - my film contains two different locations, therefore a stress in the contrasting environments. Further work on After Effects would enable me to animate a sequence in terms of it's shape transformation using the timing tools to adapt the shapes, on a time scale.
No comments:
Post a Comment